Some of the problems of live sound mixing inside are reflections and standing waves developed by the dimensions and model of the rooms and the position of the stage in the room. This changes with an outdoor venue. There may be few or no reflections by having an outdoor stage hire. If you can find reflections, there is usually a much longer delay before they go back to the stage. Sometimes specific frequencies will reflect from some surface but other frequencies will not be reflected to exactly the same extent. Often there will be less problems with feedback on an open outdoor stage hire. If there is a roof it is usually more than in a club stage situation. Also there could be no walls or perhaps a straight back wall to reflect sounds back to the microphones. Inside stages with close walls and ceiling can reflect sound back once again to the microphones whereas outside this is often not just a problem. If you’re searching for additional info on trailer stage rental, click on the mentioned above website.
There are apt to be cancellation and reinforced areas which are influenced by speaker location. These may well be more predictable with outdoor stage hire sound. If you utilize a stack on each side of the stage including subs you will have strong low end in the middle of the venue but there will also be cancellation points off focus on each side, usually involving the center-line and the stacks. From a posture directly before either stack you could hear the particular balance of the mix. Depending on the type of music and the amount desired a speakers may require more power and more speakers for an outside show. You may also have to mike some things which are not needed in a club venue. Outdoor stages hire tend to be bigger than the stages in clubs, which means you will not have the maximum amount of bleed into the vocal mikes and other live mikes on stage.
When you yourself have the proper equipment it is easier to mix outdoors because you are not fighting the sound problems inherit in a room. You will need to have an input from each instrument as well as your vocal mikes. You may even find benefit when working out doors to put up overhead mikes on the drum kit. Cymbals may bleed into vocal mikes on a team stage but might be lost on an outdoor stage. Also miking each individual drum will give you more control when you have the mikes and channels available. Guitars and keyboards may need to be in the mix for balance and dispersion. Many guitar cabinets tend to be beamy and the sound can fall off axis often dependent on frequency. The monitor system might also have to be stronger for a large outdoor stage hire. Musicians may need more things in their monitors for timing. More monitor mixes may also be desirable for outdoor venues. Usually for events besides concerts four mixes will work well. A period right, center stage, stage left, and drum mix allows you to provide the musicians what they need to hear generally in most cases.